Music Video Analysis 1
Compare and contrast the two videos. How do the representations promote the artist? How might different audiences read the two videos? Apart from the artist, who or what else is being represented and why?
'Unfinished Sympathy' by Massive Attack and 'Titanium' by David Guetta ft. Sia
The two videos I am going to compare are ‘Unfinished Sympathy’ – Massive Attack, released 11th February 1991, and ‘Titanium’ – David Guetta ft. Sia, released 8th August 2011. The video for Massive Attack’s ‘Unfinished Sympathy’ consists of a single continuous shot along a street, and is described as being a ‘docu-fiction’ video (Wiki). Within this continuous shot lead vocalist, Shara Nelson, is recorded walking down the street with the non stop hustle and bustle of the street happening around her. She is not affected by any of the background occurrences as she walks, due to this she appears as if she is floating through the streets. Whereas in David Guetta’s ‘Titanium’ the audience is following the main character in a way that mimics a movie, due to the directors use of a letter box view and wide screen view. This video also follows Todorov’s equilibrium theory; boy starts in a foetal position (order, calm atmosphere), then is chased by the police (disruptive event) and the main events occur (chaos), then the boy ends in the foetal position again (restored equilibrium). This video also shows elements of Claude Levi-Strauss’ idea that all stories involve conflict between opposite forces and that this creates drama within the narrative.
Within both music videos there
are many denotations of the colour yellow. Throughout Unfinished Sympathy there is a yellow haze to the screen, this
connotes that the video was shot early in the morning or in the late afternoon
during the sunrise/sunset. Whereas in Titanium,
this denotation is used to connote danger. For example, the walls of the school
are yellow in a mid-shot as he walks away, games around the television in his
home are also yellow, there is a yellow flower that is half dead which
symbolises that everything is not ok.
Aside from the similarities and
differences, audiences also play a part in the way that the directors create
the videos and the responses they get towards the videos. Due to its high tempo
and pop influence, Titanium will have
been created with younger generations in mind and due to this would be more
positively responded to by people who are aged 25 and below, also a loud and
dramatic base drop is more appealing to younger aged groups than older. Older aged groups may have a negative reaction to this song due to the fact that it has a
predominantly house beat and rhythm, younger age groups would be more
positively lenient to this song because they would appreciate the heavy base
and dramatic tempo. Whereas Unfinished
Sympathy would appeal to more people who grew up in the 90s due to its
electronic feel and lack of over the top base drop, it also has a nostalgic
feel of songs from back then. Younger aged groups would appreciate this song
but wouldn’t necessarily choose to listen to it as this style of electronic
music isn’t as popular now as it was when this music video was released. In
regards to Unfinished Sympathy, I
believe that the demographic that is most likely to listen to it is BC₁C₂ due
to its dance/electronic genre and, presentation of the music video and song.
And I believe that ABC₁ would be more likely demographics to listen to Titanium due to its electronic and house
genre.
Within Titanium the director of the music video is trying to connote an
attack on American society and the stereotypes that they have on police within
America. Towards the end of the video the director, David Wilson, has used an
extremely powerful shot of a black police officer pointing his gun at the main
character, this may have been used to challenge the way that the media
represents police through news coverage. White police are very regularly
depicted as the bad guy in the media in America but this scene challenges this
by placing the gun in the hands of a black police officer. This representation
would have promoted the artist among activists that disagree with the way that
police are depicted in the media and among those that are against gun
violence.
In Unfinished Sympathy, Shara Nelson is
filmed walking through the pain around her; for example, the streets are
covered in litter/rubbish, homeless, gang violence. She is followed for a short
period by a man that has no legs and travels on a skateboard in order to be
able to move around; I believe that the director has used this man to represent
troops that leave the army due to injury. This depiction by the director,
Baillie Walsh, challenges the patriotism of America because it is showing that
when troops come back under that kind of circumstance they aren’t always given
the help they need, or it may have been used to show the lack of support in
society for physically disabled people as a whole. In this example that man has
to travel on a skateboard in this manner because he has not been provided with
a wheelchair or prosthetics. The representations shown by both directors will
have promoted the artists among the public because they are showing interest
for disadvantaged people and giving them a voice through the videos.
Furthermore, towards the first minute mark in Unfinished Sympathy there is a short glimpse pan shot of a “realistic couple” as the two are seen arguing. This shot helps to not create unrealistic expectations of what relationships are like and shows a real life scenario rather than a staged appearance. The pan shot of the man and woman is accompanied by the lyrics ‘I know that I’ve been mad in love before’, this shows that Nelson has an understanding of what they are going through and that love is something that can lead to anger or retaliation in this way but that its ok because it happens to everyone, it’s a part of life. This representation will have made the singer seem more relatable to the audience because it connotes that it can happen to anyone.

Furthermore, towards the first minute mark in Unfinished Sympathy there is a short glimpse pan shot of a “realistic couple” as the two are seen arguing. This shot helps to not create unrealistic expectations of what relationships are like and shows a real life scenario rather than a staged appearance. The pan shot of the man and woman is accompanied by the lyrics ‘I know that I’ve been mad in love before’, this shows that Nelson has an understanding of what they are going through and that love is something that can lead to anger or retaliation in this way but that its ok because it happens to everyone, it’s a part of life. This representation will have made the singer seem more relatable to the audience because it connotes that it can happen to anyone.
Both Titanium and Unfinished Sympathy denote struggle/pain through
the occurrences and situations that approach the individuals within the videos
themselves. Within Titanium the boy
struggles to fit in and is outcast from the rest of society; Unfinished Sympathy instead highlights
the struggle and desperation of those around Nelson and how they potentially
affect her and the city as a whole. The imagery could potentially connote the idealisation
of society and the affect that it has on those that aren’t the “ideal” people
to fit into this idealised society.
link to the videos:
unfinished sympathy - massive attack > https://www.youtube.com/watch?v=ZWmrfgj0MZI
titanium - David Guetta ft. Sia > https://www.youtube.com/watch?v=JRfuAukYTKg
link to the videos:
unfinished sympathy - massive attack > https://www.youtube.com/watch?v=ZWmrfgj0MZI
titanium - David Guetta ft. Sia > https://www.youtube.com/watch?v=JRfuAukYTKg
This is an excellent analysis Eloise. Perhaps you could include more on what the videos say about the artistes??
ReplyDeleteThanks sir, I will try and add that and email you when I have!
ReplyDelete